In Celebration of Antonio Canova and his Cavallo Colossale
with
Barbara Guidi
Director of the Musei Civici in Bassano del Grappa
Christopher Baker
Editor of The Burlington Magazine
Monday 8 June 2026
Lecture, Film Premiere and Drinks Reception: 6.30-8.15pm
By invitation only
At The Italian Cultural Institute of London
39 Belgrave Square
London SW1X 8NX
A joint event with The Italian Cultural Institute of London
We are delighted to announce our Summer Lecture in collaboration with the Italian Cultural Institute of London.
One of the last projects of the great Neoclassical sculptor Antonio Canova (1757–1822) was a monumental gesso horse (Cavallo Colossale), commissioned as part of a planned equestrian monument for Ferdinand I, King of Naples. It suffered an ignominious fate: damaged and eventually dismantled, it was placed in storage in the 1960s and remained there, until today. The Venice in Peril Fund is proud to have supported the conservation of the Cavallo Colossale, returning it to its spectacular glory. To mark this important occasion and in collaboration with the Italian Cultural Institute, we are delighted to be hosting an evening dedicated to Canova’s masterpiece.
Barbara Guidi, Director of the Musei Civici at Bassano del Grappa — which houses the Cavallo Colossale — and Christopher Baker, Editor of The Burlington Magazine, will discuss the conservation’s remarkable story, Canova’s position as the leading artist of his day, and his inspiration and technical mastery. The evening will also premiere a short documentary charting the project’s journey from multiple fragments to exhibition centrepiece — and the horse’s eventual return home to Bassano del Grappa.
Barbara Guidi is Director of the Musei Civici in Bassano del Grappa, near Vicenza, renowned for its outstanding collection of Canova’s sculptures. She has curated major exhibitions on the Bassano family of painters and Palladio, and has worked at other significant Italian institutions, including Ferrara Arte.
Christopher Baker is Editor of The Burlington Magazine — the leading journal of art and its histories, published since 1903. He is an Honorary Professor at the University of Edinburgh and formerly served as a Director at the National Galleries of Scotland, with responsibility for the Scottish National Portrait Gallery and the Scottish National Gallery.
We are grateful to The Italian Cultural Institute of London for their support.