A joint project financed by Venice in Peril, the American-Italy Society, Save Venice, Italiano per Venezia and the Dutch and Austrian Committees
The iconostasis – a screen with icons between sanctuary and nave – is richly expressive of Veneto-Byzantine tradition. The stonework dates to 1100 and the paintings to the early 15C.
Conservation of fifteen bound volumes of the campaign dispatches of one of Venice’s great commanders, Francesco Morosini, marking the 400th anniversiry of his birth.
When the Accademia Galleries mounted a campaign to reassemble the lost ceiling of Ca’ Corner Spinelli, Venice in Peril helped acquire the ‘Hope’ and ‘Faith’ panels.
This hidden 18th-century frescoed Music Room, designed for choral performances to support its foundation, was restored in 1987-91 by 12 committees.
A joint project to protect the building from future flooding, enabling the safe conservation of Palma Giovane’s cycle of paintings.